Sunday morning at about 6:30 I set about to practice, not a totally unusual task for me at that hour. It seems to be a time when I have fewer distractions than at other times, and since I am married to the King of all early risers, it doesn’t bother anyone else in the house. So why not. Patrick and I often talk about the art of practicing, how zen it can be. Sunday was a perfect day for it.
My routine for practice is to get comfortable with a good magazine, (or today, for instance, my Water Exhibition text) set it on the music stand and go for it. I read while I play 70+ scales in four octaves and other technical exercises. It’s rote work, mostly finger limbering stuff. I’ve played them thousands, thousands of times, so I don’t have to think about fingering or for that matter, what scale I’m on, since I automatically move from c-f-Bb and on through the circle. I can be interrupted and return, at the appropriate spot, without conscious thought. It’s just something I do. I first started this reading-while-I’m-playing thing after I heard Itzhak Perlman say that he watched old I Love Lucy reruns while practicing. I don’t think I could handle that much sound, so I tried reading, and it works for me.
Which brings me to the irony part. The magazine I opened to read was November’s Atlantic. The article I read was The Autumn of the Multitaskers, by Walter Kirn. The heading: Neurocience is confirming what we all suspect: Multitasking is dumbing us down and driving us crazy.
Now that’s irony. (I highly recommend the article, by the way.)